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But one piece of the title song holds a special place in my memory: As Clare Booth Luce (brilliantly played by Carmen Cusack) is experiencing her first trip on LSD in the garden of her Connecticut estate, she reels back in her mind to an earlier time in California when she felt desirable, and busy, and powerful. It is almost impossible to choose one moment, one melody, or one lyric from Flying Over Sunset the piece is so exquisitely written and composed, and it was my great pleasure to sing some of it and listen to all of it eight times a week. Lyrics like this, and a score that complements them, make an actor’s job easy… It is packed with character and tells us so much about Huxley his intellect, his passion and his enjoyment of discovery. It looks like real wood but it’s linseed oil, pressed.” When Aldous is struck by the floor of the Rexall drugstore…
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He could take us right into her eyes with such vivid imagery. Michael Korie just blew me away with how he could slice through in a lyric all the color and magic happening onstage. He is marveling at his wife's eyes describing them in detail while on his trip. There are so many moments I can think of but one that really sticks with me is a line that Harry Hadden-Paton sings in “Wondrous” when he starts to see color again. Like gleams in a forest I'm drawn to explore." Through dark sable lashes, those flashes of green. "Not brown and not hazel, they're right in between, Lyrics by Michael Korie, Music by Tom Kitt
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Tony Yazbeck, Harry Hadden-Paton, and Carmen Cusack in Flying Over Sunset Joan Marcus Flying Over Sunset Read on below as the casts and creative team answer "What's your favorite lyric and why?" To celebrate those nominated scores, Playbill asked the companies of those five musicals about their favorite lyrics from the shows. Saturday Night, Paradise Square, SIX the Musical, and A Strange Loop-all have music and lyrics that work in perfect tandem, each creating a memorable and lauded score. This season's Tony nominees for Best Original Score- Flying Over Sunset, Mr. A button or a pause that gives room for laugh when a joke lands. A patter that accentuates an internal rhyme. A crescendo that makes the emotion of the words soar higher. And sometimes, it changes daily.Īnd all those favorite lyrics only stand out if they work in sync with the music. Sometimes, choruses are adopted as philosophies and mantras.
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Sometimes it's an evocative image created by a series of descriptors. They try another position as Jason kneels on the bed, ass in the air as Danny fills his hole up with that big dick, fucking him hard and making Jason moan then turning him over onto his back and taking him again.Almost every Broadway fan has a favorite lyric. Sometimes it's a clever rhyme or impressive wordplay.
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